‘I believe you can be beautiful at any age’

Emilee Geist

Claudia Schiffer - Etre Cecile
Claudia Schiffer – Etre Cecile

Claudia Schiffer’s birthday celebrations are ongoing – online, in any case. The German supermodel, who turns 50 today, has been tagged in hundreds of tributes from fans and friends on Instagram. Designers including Dolce and Gabbana and Donatella Versace have launched new products in her honour. Balmain’s creative director Olivier Rousteing sent her a huge meringue and a custom-made outfit. What does 50 look like now? She’s having dessert for breakfast in her Oxfordshire kitchen, wearing an electric blue, sheer crochet dress.

“There’s a reason we have cakes on our birthdays and I feel the same way about getting older each year,” Schiffer muses of the milestone. “I believe you can be youthful and beautiful at any age. Personally, I have always enjoyed getting older as it comes with more confidence.”

Schiffer is the last of the original supermodels to reach her 50s. The stars ‘discovered’ in the late 1980s – Schiffer, plus Cindy Crawford, Helena Christensen, Christy Turlington and Naomi Campbell – represent the first generation of models to work for three decades non-stop, without being dropped by traditionally-ageist fashion designers, or being forced into ‘retirements’.

The celebrity status which the supermodels achieved at their peak has proved to be long-lasting, helping them to stay relevant and in demand. But there has also been an awakening of sorts in the advertising world; women of all ages buy fashion and beauty products, and might like to see themselves reflected in the media.

“I think the fashion and beauty industry increasingly understands this and is catering more and more for all generations,” Schiffer says, noting that the industries have also expanded exponentially since she started her career in 1987, meaning there is more work than ever for all models. Schiffer is still the face of Chanel’s J12 watch, decades after Karl Lagerfeld first invited her onto his catwalk. She models and designs for Etre Cecile, Bamford, Bordallo Pinheiro and others – a supermodel can pick and choose their projects, and cross disciplines like the best of the social media influencers these days.

Schiffer was always the sensible supermodel – the Bardot-esque blonde bombshell with brains who had been on track to study law, like her father, until she was spotted by a scout in a Düsseldorf disco in 1987.

“I thought it was a joke and suggested my best friend, who was a far better candidate in my opinion,” she remembers of the moment the agent approached her. “In a few weeks, I found myself in Paris and the rest is history.” While other supers partied famously hard, professionalism was always Schiffer’s focus. Her big break came when she was cast in Ellen von Unwerth’s Guess jeans campaign in 1989 launching her career in America, but the association with the denim market made it more difficult to crack the Parisian couture scene. Until Karl Lagerfeld at Chanel took a chance on her, that was.

Claudia Schiffer in her first Chanel Couture catwalk show in 1990
Claudia Schiffer in her first Chanel Couture catwalk show in 1990

“Karl Lagerfeld in particular taught me about fashion, but also about longevity in fashion,” she explains. “And he made me understand the power of confidence and being yourself. Because he was one of the most powerful people in the fashion industry, for him to be supporting me – for him to be saying “you are the one” – that makes for an amazing seal of approval when you are very young and just finding your feet.”

Unlike many 1990s models who floated from job to job, quaffing champagne backstage and attending red carpet parties until the early hours, Schiffer always operated with a business-like strategy. She understood that modelling jobs could be linked, like stepping stones. “It’s important to know what you want and where you want to be,” she says. “I made a long-term plan and I never gave up. I take pride in my reputation for professionalism; working hard, being punctual, polite and disciplined are all important traits to me.”

Claudia Schiffer and Naomi Campbell with Gianni Versace in 1996
Claudia Schiffer and Naomi Campbell with Gianni Versace in 1996

Schiffer decided to abandon catwalk modelling after Yves Saint Laurent retired in 2002, instead switching her focus to advertising deals, magazine editorials, and design projects. She did, however, make an exception for Versace’s 2017 show, which marked 20 years since her friend, Gianni Versace, was murdered – and received a standing ovation from the typically poised fashion crowd for the effort. She has starred on over 1,000 solo magazine covers in total – apparently a world record.

Over 30 years of modelling, Schiffer has amassed a museum-worthy wardrobe. Her day-to-day style now is more relaxed than her birthday pictures might suggest – Vogue hailed her “the original queen of school run style” thanks to the way the paparazzi used to consistently tail her on the morning school drop off to see what vintage flare jeans or new power blazer she was wearing. Her eldest son Caspar is now 17, and daughters Clementine and Cosima are 15 and 10 respectively. She has been married to Rocketman film director Matthew Vaughn since 2002.

Claudia Schiffer at home in Oxfordshire - Lucie McCullin
Claudia Schiffer at home in Oxfordshire – Lucie McCullin

Schiffer’s supposed ‘mum style’ is as appealing as any outfit she wore in her 20s. “I do have an extensive archive wardrobe that I’ve kept over the past 30 years,” she explains. “I draw on it for inspiration for my design collaborations and I still wear old favourites. I am the kind of person that finds it difficult to part with things. Each piece is a memory, so I want my daughters to wear everything that I have and it feels good to give them a legacy.”

Claudia Schiffer at home in Oxfordshire - Lucie McCullin
Claudia Schiffer at home in Oxfordshire – Lucie McCullin

Legacy-defining items include a hand-painted Chanel bag given to Schiffer by Lagerfeld, a Versace metallic mini dress “from one of Gianni’s nineties collections”, and Schiffer’s bespoke Valentino wedding dress – though she doesn’t get that last one out for the waiting street style photographers.

“The list is long!” Schiffer acknowledges. “Denim is also a real daytime staple for me and I have a pair of dungarees, which are particularly special from the autumn/winter 1993 Chanel collection. I was photographed in them by Karl for the advertising campaign – we were shooting in Munich. We were both so happy to be back in our home country and we enjoyed eating our favourite German delicacies and trying to get the rest of the crew to partake. I remember us also using old fashioned sayings like “Morgenstund hat Gold im Mund” – its literal translation is “the morning hour has gold in its mouth.” It’s one of the ways Germans stress the importance of getting up early to get a head start on the day.”

Claudia Schiffer - with Carla Bruni, Naomi Campbell, Cindy Crawford and Helena Christensen on the Versace catwalk in 2017
Claudia Schiffer – with Carla Bruni, Naomi Campbell, Cindy Crawford and Helena Christensen on the Versace catwalk in 2017

Schiffer says that she is profoundly content in Oxfordshire, and relishes the fact that she can dip in and out of the glamorous fashion jobs she loves, before retreating back to the countryside with her family.

“When I started to have kids, I tried to be as healthy as possible and by doing so I feel my best today in my body and in myself overall,” she says of her lifestyle. ”I work out by doing something different every day – from tennis or a yoga class, to a 15 minutes abs class online or walking on the treadmill for an hour while watching a movie.”

She credits a list of different organic skincare products from Bamford, as well as Epsom bath salts and the meditation app Calm as the secrets to her ageless beauty – a question which every supermodel gets asked repeatedly, no matter what their age.

But in typical Schiffer pragmatism, there is a caveat to the response. “It’s important to not be influenced by others on what beauty is,” she stresses. “I don’t compare myself to anyone else; no one is perfect, everyone is different. Beauty is a subjective thing.”

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